The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 217
... things for the first time . . . . " The form of this " convalescent world " fills de Chirico's paintings after 1912. It is an airless place , and its weather is always the same . The sun has a late - afternoon slant , throwing long ...
... things for the first time . . . . " The form of this " convalescent world " fills de Chirico's paintings after 1912. It is an airless place , and its weather is always the same . The sun has a late - afternoon slant , throwing long ...
Pagina 337
... things that were not invented - things so well known that they were not well seen . Between 1955 and 1961 , Johns chose and developed most of his principal motifs : the targets , the stencilled words and numbers , the flags , the rulers ...
... things that were not invented - things so well known that they were not well seen . Between 1955 and 1961 , Johns chose and developed most of his principal motifs : the targets , the stencilled words and numbers , the flags , the rulers ...
Pagina 357
... things lost or thrown away ... I am for the art of teddy - bears and guns and decapitated rabbits , exploded umbrellas , raped beds ... I am for the art of abandoned boxes , tied like pharaohs ... But then , elsewhere , in comes the ...
... things lost or thrown away ... I am for the art of teddy - bears and guns and decapitated rabbits , exploded umbrellas , raped beds ... I am for the art of abandoned boxes , tied like pharaohs ... But then , elsewhere , in comes the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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