The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 146
... thought . He wanted to distribute the spectator's attention as evenly as possible across the painting , and the result is solider and less hypothetical than Cubism . He even took to mixing sand with his paint to give it more body , a ...
... thought . He wanted to distribute the spectator's attention as evenly as possible across the painting , and the result is solider and less hypothetical than Cubism . He even took to mixing sand with his paint to give it more body , a ...
Pagina 213
... thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by contacting forbidden ...
... thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by contacting forbidden ...
Pagina 371
... thought ; and by changing thought , you change life . The history of the avant - garde up to 1930 was suffused with various , ultimately futile calls to revolutionary action and moral renewal , all formed by the belief that painting and ...
... thought ; and by changing thought , you change life . The history of the avant - garde up to 1930 was suffused with various , ultimately futile calls to revolutionary action and moral renewal , all formed by the belief that painting and ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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