The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 57
... took it again , and then the Allies took it back ; by the end of the war , it had been captured and recaptured several times . Thousands of people had died for it , and every yard of earth on and around it had been dug over by high ...
... took it again , and then the Allies took it back ; by the end of the war , it had been captured and recaptured several times . Thousands of people had died for it , and every yard of earth on and around it had been dug over by high ...
Pagina 85
... took two forms . One was the kind of pure , geometrical abstraction to which , because it represented a final disengagement of painting from reality and marked its entry into the exalted realm of pure thought , he gave the name ...
... took two forms . One was the kind of pure , geometrical abstraction to which , because it represented a final disengagement of painting from reality and marked its entry into the exalted realm of pure thought , he gave the name ...
Pagina 146
... took him out of his own studio and removed him from the art world for several years . It separated him from the avant - garde and its febrile schemes and arguments . Instead of painting , he reflected , wrote , and kept journals . When ...
... took him out of his own studio and removed him from the art world for several years . It separated him from the avant - garde and its febrile schemes and arguments . Instead of painting , he reflected , wrote , and kept journals . When ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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