The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 114
... visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour gave the retineal ...
... visual perception . Of these , the one that influenced him most was The Law of Simultaneous Colour Contrast , 1839 , by Eugène Chevreul . Local colour , Chevreul had shown , was mixed on the eye . A spot of pure colour gave the retineal ...
Pagina 173
... visual surprise depends on the fact that it does not seem layered or stacked . Sullivan underplayed his horizontals by recessing the face of the spandrels from the face of the piers . So the vertical piers dominate the pattern . They ...
... visual surprise depends on the fact that it does not seem layered or stacked . Sullivan underplayed his horizontals by recessing the face of the spandrels from the face of the piers . So the vertical piers dominate the pattern . They ...
Pagina 304
... visual " equivalents " for spiritual states which , in its knotty elaboration , rivalled Kandinsky's . Klee tended to see the world as a model , a kind of orrery run up by the cosmic clockmaker - a Swiss God to demonstrate spiritual ...
... visual " equivalents " for spiritual states which , in its knotty elaboration , rivalled Kandinsky's . Klee tended to see the world as a model , a kind of orrery run up by the cosmic clockmaker - a Swiss God to demonstrate spiritual ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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