Selected Essays of William Hazlitt, 1778-1830Nonesuch Press, 1948 - 807 pagina's |
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Pagina 56
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
... face does not become an oval one , nor a pug nose a Roman one , with the acquisition of an office , or the addition of a title . So neither is the pert , hard , unfeeling outline of character turned from selfish- ness and cunning to ...
Pagina 99
... face . It was doubtful whether he would fall backwards or forwards ; he hung suspended for a second or two , and then fell back , throwing his hands in the air , and with his face lifted up to the sky . I never saw any thing more ...
... face . It was doubtful whether he would fall backwards or forwards ; he hung suspended for a second or two , and then fell back , throwing his hands in the air , and with his face lifted up to the sky . I never saw any thing more ...
Pagina 620
... face to face . " He understands the texture and meaning of the visible universe , and " sees into the life of things , " not by the help of mechanical instruments , but of the improved exercise of his faculties , and an intimate ...
... face to face . " He understands the texture and meaning of the visible universe , and " sees into the life of things , " not by the help of mechanical instruments , but of the improved exercise of his faculties , and an intimate ...
Inhoudsopgave
On the Love of Life | 8 |
On Living to Onesself | 24 |
On Reading Old Books | 40 |
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abstract admiration appearance beauty better Burke caput mortuum character Coleridge colour common conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt head heart House of Commons human humour idea imagination impression indifference interest Jeremy Taylor Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel manner means mind Molière nature Nether Stowey never object opinion ourselves pain painter painting pass passion perhaps person picture play pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt round seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought tion Titian Tom Jones truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write