Dada and Surrealism: A Very Short IntroductionOUP Oxford, 8 apr 2004 - 208 pagina's The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. |
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Pagina 4
... ready-made' object to a photograph, might be used to give Dada or Surrealist ideas embodiment. In Dada a basic distrust for the narrowness of art frequently translated into open antagonism towards its values and institutions. At this ...
... ready-made' object to a photograph, might be used to give Dada or Surrealist ideas embodiment. In Dada a basic distrust for the narrowness of art frequently translated into open antagonism towards its values and institutions. At this ...
Pagina 9
... visual art, and his concomitant belief that ideas should replace manual skill as the prime components of works of art, led to his selection of 3. Marcel Duchamp, Fountain, readymade, photograph by Alfred Stieglitz as 9.
... visual art, and his concomitant belief that ideas should replace manual skill as the prime components of works of art, led to his selection of 3. Marcel Duchamp, Fountain, readymade, photograph by Alfred Stieglitz as 9.
Pagina 10
David Hopkins. 3. Marcel Duchamp, Fountain, readymade, photograph by Alfred Stieglitz as it appeared in the journal, The Blind Man, 2 (Mar. 1917) 'readymade' items as art objects from 1913 onwards. Most notoriously, he submitted a men's ...
David Hopkins. 3. Marcel Duchamp, Fountain, readymade, photograph by Alfred Stieglitz as it appeared in the journal, The Blind Man, 2 (Mar. 1917) 'readymade' items as art objects from 1913 onwards. Most notoriously, he submitted a men's ...
Pagina 25
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Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 45
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Je hebt de weergavelimiet voor dit boek bereikt.
Inhoudsopgave
1 | |
promoting Dada and Surrealism | 30 |
3 Art and antiart | 62 |
mindspiritbody | 97 |
5 Politics | 123 |
6 Looking back on Dada and Surrealism | 146 |
References | 157 |
Further reading | 161 |
the main centres key individuals and events | 167 |
Key Surrealist events | 170 |
Key figures associated with surrealism | 171 |
Index | 173 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
19th-century abstract aesthetic André Breton André Masson asserted attitude automatism avant-garde Bataille’s Bellmer Benjamin Péret Berlin Dada Berlin Dadaists bourgeois Cabaret Voltaire Chapter Claude Cahun collage Cologne Communist Cravan cultural DACS Dada and Surrealism Dada and Surrealist Dada Fair Dada Manifesto Dada’s Dadaists Dadaists and Surrealists Dalí’s dream early Eluard essay exhibition female fetishism Figure film France Francis Picabia French Freud Freudian Gallery George Grosz German Heartfield History Höch Hugo Ball human instance International La Révolution Surréaliste Louis Aragon male man’s Marcel Duchamp Max Ernst Meret Oppenheim Miró Modern Art Museum of Modern painter Paul philosophical photograph photomontage poems poet poetic poetry political produced Raoul Hausmann readymade revolution Révolution Surréaliste Richard Huelsenbeck Sˇvankmajer Salvador Dalí Schwitters sexual Situationist social Surrealist art Surrealist artists Surrealist journal Surrealist Manifesto Surrealist object Surrealist painting techniques traditional Tristan Tzara unconscious University Press Vaneigem visual writings York Zurich Dada