A Companion to MiltonThe diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 12
We cannot be sure just when Milton decided that the great epic subject for his own times had to be the Fall and its consequences ± `all our woe' (PL I. 3): not the founding of a great empire or nation, but the loss of an earthly ...
We cannot be sure just when Milton decided that the great epic subject for his own times had to be the Fall and its consequences ± `all our woe' (PL I. 3): not the founding of a great empire or nation, but the loss of an earthly ...
Pagina 20
In Aristotle's paradigmatic tragedy, Sophocles's Oedipus Rex, the hero falls from prosperity into abject misery through an error or fault (hamartia) that enmeshes him in the toils of Fate. Milton's tragedy begins with Samson already ...
In Aristotle's paradigmatic tragedy, Sophocles's Oedipus Rex, the hero falls from prosperity into abject misery through an error or fault (hamartia) that enmeshes him in the toils of Fate. Milton's tragedy begins with Samson already ...
Pagina 24
Rather different is the invocation by which Milton girds the bardic loins to narrate the Fall itself: sad task, yet argument Not less but more heroic than the wrath Of stern Achilles on his foe pursued 15 Thrice fugitive about Troy wall ...
Rather different is the invocation by which Milton girds the bardic loins to narrate the Fall itself: sad task, yet argument Not less but more heroic than the wrath Of stern Achilles on his foe pursued 15 Thrice fugitive about Troy wall ...
Pagina 27
... way we are catching an instinctive reliance on the classical, which has governed how he hears. As for the revision of the ten books of 1667. Further Examples from Paradise Lost, Book I Classical Tradition in the Fall of Eve and Adam.
... way we are catching an instinctive reliance on the classical, which has governed how he hears. As for the revision of the ten books of 1667. Further Examples from Paradise Lost, Book I Classical Tradition in the Fall of Eve and Adam.
Pagina 33
6) ± a reminder that Milton had hesitated between presenting Adam's fall as tragedy and as epic, the two highest genres of mimesis according to Aristotle in the Poetics. For detail here, however, two case studies of epic simile must ...
6) ± a reminder that Milton had hesitated between presenting Adam's fall as tragedy and as epic, the two highest genres of mimesis according to Aristotle in the Poetics. For detail here, however, two case studies of epic simile must ...
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Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing