A Companion to MiltonThe diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 9
... the Lady to a `low / But loyal cottage' (lines 318±19), alluding to the pastoralism so prevalent in court masques. ... with an elaborate banquet and a beast-headed entourage ± a nonetoo-subtle allusion to the licentious Cavaliers.
... the Lady to a `low / But loyal cottage' (lines 318±19), alluding to the pastoralism so prevalent in court masques. ... with an elaborate banquet and a beast-headed entourage ± a nonetoo-subtle allusion to the licentious Cavaliers.
Pagina 12
By complex generic strategies and specific allusions, Milton set his poem in relation to other great epics and works in a variety of genres, involving readers in a critique of the values associated with those other heroes and genres, ...
By complex generic strategies and specific allusions, Milton set his poem in relation to other great epics and works in a variety of genres, involving readers in a critique of the values associated with those other heroes and genres, ...
Pagina 13
By his choice of subject and use of blank verse, he distances himself from Dryden, Davenant, Cowley and other contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, ...
By his choice of subject and use of blank verse, he distances himself from Dryden, Davenant, Cowley and other contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, ...
Pagina 16
And his portrayal of Satan contains a powerful critique of monarchy as civil idolatry, with allusion to Charles I and Charles II. By adopting a ten-book format, Milton associates his poem explicitly with the republican Lucan's ...
And his portrayal of Satan contains a powerful critique of monarchy as civil idolatry, with allusion to Charles I and Charles II. By adopting a ten-book format, Milton associates his poem explicitly with the republican Lucan's ...
Pagina 18
These lines allude to the verses, then widely accepted as genuine, that introduce the Aeneid in most Renaissance editions (Virgil 1960: 240±1) and supposedly announce Virgil's turn from pastoral and georgic to an epic subject: I who ere ...
These lines allude to the verses, then widely accepted as genuine, that introduce the Aeneid in most Renaissance editions (Virgil 1960: 240±1) and supposedly announce Virgil's turn from pastoral and georgic to an epic subject: I who ere ...
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Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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