A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 13
... angels. The poem also has a fierce battle in heaven between two armies, replete with chariot clashes, taunts and vaunts, and hill-hurlings; single combats of heroes; reprises of past actions in Raphael's narratives of the War in Heaven ...
... angels. The poem also has a fierce battle in heaven between two armies, replete with chariot clashes, taunts and vaunts, and hill-hurlings; single combats of heroes; reprises of past actions in Raphael's narratives of the War in Heaven ...
Pagina 14
... angels. At his first sight of Adam and Eve, he makes clear in soliloquy that he means to use Eden and its inhabitants for his own purposes, that his excursion is about empirebuilding as well as revenge. He justifies his enterprise by ...
... angels. At his first sight of Adam and Eve, he makes clear in soliloquy that he means to use Eden and its inhabitants for his own purposes, that his excursion is about empirebuilding as well as revenge. He justifies his enterprise by ...
Pagina 16
... angels in the Battle in Heaven ± they can win no decisive victories and can effect no lasting reforms until the Son appears. Eve learns something of the history to come through dreams, which lead her to recognize her divinely appointed ...
... angels in the Battle in Heaven ± they can win no decisive victories and can effect no lasting reforms until the Son appears. Eve learns something of the history to come through dreams, which lead her to recognize her divinely appointed ...
Pagina 19
... angelic hymns at the beginning and end of the temptations. But this poem forgoes the soaring, eloquent style of Paradise Lost for one appropriate to this subject: more restrained, dialogic, and tense with the parry and thrust of ...
... angelic hymns at the beginning and end of the temptations. But this poem forgoes the soaring, eloquent style of Paradise Lost for one appropriate to this subject: more restrained, dialogic, and tense with the parry and thrust of ...
Pagina 27
... angels. But the repetition gives much more than the pleasure of recognition. These fallen leaves are not dead: so much the worse for them, since they will know their own loss for ever, will suffer from that knowledge for ever. The ...
... angels. But the repetition gives much more than the pleasure of recognition. These fallen leaves are not dead: so much the worse for them, since they will know their own loss for ever, will suffer from that knowledge for ever. The ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing