A Companion to MiltonThe diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina viii
Historically informed interpretation is refreshed by significant developments in early modern historiography that are recharting the history of the early Stuart church, the origins of the English Civil War, and the informing ...
Historically informed interpretation is refreshed by significant developments in early modern historiography that are recharting the history of the early Stuart church, the origins of the English Civil War, and the informing ...
Pagina xv
He is currently writing a book on the arts of the Church in the time of Archbishop Laud. He was the organizer of the Sixth International Milton Symposium at York in 1999. Annabel Patterson is the Karl Young Professor of English at Yale ...
He is currently writing a book on the arts of the Church in the time of Archbishop Laud. He was the organizer of the Sixth International Milton Symposium at York in 1999. Annabel Patterson is the Karl Young Professor of English at Yale ...
Pagina 3
In 1642, in the preface to the Second Book of The Reason of Church-Government, Milton provided his most extended comment on poetry and poetics. Among other topics, he points to some of the literary genres he hopes to attempt, ...
In 1642, in the preface to the Second Book of The Reason of Church-Government, Milton provided his most extended comment on poetry and poetics. Among other topics, he points to some of the literary genres he hopes to attempt, ...
Pagina 4
Other common royalist kinds were panegyrics on members of the royal family and their celebratory occasions, and religious poems treating the `high church' rituals, feasts, ceremonies and arts promoted by Archbishop Laud.
Other common royalist kinds were panegyrics on members of the royal family and their celebratory occasions, and religious poems treating the `high church' rituals, feasts, ceremonies and arts promoted by Archbishop Laud.
Pagina 6
Milton does not, here or elsewhere, repudiate pastoral, stage plays or masques because he thinks Cavaliers have debased them, or church music and art because he thinks Laudians use them in the service of idolatry.
Milton does not, here or elsewhere, repudiate pastoral, stage plays or masques because he thinks Cavaliers have debased them, or church music and art because he thinks Laudians use them in the service of idolatry.
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Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing
Bibliografische gegevens
| Titel | A Companion to Milton Blackwell Companions to Literature and Culture |
| Redacteur | Thomas N. Corns |
| Editie | herzien |
| Uitgever | John Wiley & Sons, 2008 |
| ISBN | 0470998628, 9780470998625 |
| Lengte | 548 pagina's |
| Citatie exporteren | BiBTeX EndNote RefMan |