A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina ix
... contemporary Milton criticism. Readers will discern that different contributors take rather different views on a number of key issues. For a decade now there has been some dispute about the place of De Doctrina Christiana, a Latin ...
... contemporary Milton criticism. Readers will discern that different contributors take rather different views on a number of key issues. For a decade now there has been some dispute about the place of De Doctrina Christiana, a Latin ...
Pagina 8
... contemporary life, with the children lost in the dark woods and Lady Alice confronting the temptations of Comus, who in Milton's version is not the traditional belly god of drunkenness and gluttony but has the power and attractiveness ...
... contemporary life, with the children lost in the dark woods and Lady Alice confronting the temptations of Comus, who in Milton's version is not the traditional belly god of drunkenness and gluttony but has the power and attractiveness ...
Pagina 11
... contemporary history, a threatened assault on the city; others respond to attacks on Milton's Divorce Tracts and threats to religious toleration. They transport into the lyric mode the satiric persona Milton developed in his prose ...
... contemporary history, a threatened assault on the city; others respond to attacks on Milton's Divorce Tracts and threats to religious toleration. They transport into the lyric mode the satiric persona Milton developed in his prose ...
Pagina 12
... contemporary news accounts, and creates for the sonnet a high, epic-like style. When Wordsworth revived the sonnet for the Romantics, Milton was his acknowledged model. In his Proem to Book IX of Paradise Lost, the Miltonic Bard alludes ...
... contemporary news accounts, and creates for the sonnet a high, epic-like style. When Wordsworth revived the sonnet for the Romantics, Milton was his acknowledged model. In his Proem to Book IX of Paradise Lost, the Miltonic Bard alludes ...
Pagina 13
... contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, Lucan and Lucretius ± and to such moderns as Ariosto, Tasso, Du Bartas, Camoens and Spenser. Yet he hopes and ...
... contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, Lucan and Lucretius ± and to such moderns as Ariosto, Tasso, Du Bartas, Camoens and Spenser. Yet he hopes and ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing