A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina iv
... means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2001 First published in ...
... means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. First published 2001 First published in ...
Pagina 14
... means to use Eden and its inhabitants for his own purposes, that his excursion is about empirebuilding as well as ... mean that Milton thought exploration and colonization necessarily Satanic, but they do suggest how susceptible the ...
... means to use Eden and its inhabitants for his own purposes, that his excursion is about empirebuilding as well as ... mean that Milton thought exploration and colonization necessarily Satanic, but they do suggest how susceptible the ...
Pagina 23
... means `belonging to Mount Helicon, sacred home of the classical Muses'; and so it links back to the `heavenly Muse' of line 6, differentiating that from the Homerical / pagan one . . .yes, but so what? The eager reader might object ...
... means `belonging to Mount Helicon, sacred home of the classical Muses'; and so it links back to the `heavenly Muse' of line 6, differentiating that from the Homerical / pagan one . . .yes, but so what? The eager reader might object ...
Pagina 33
... means of speeches; what Wittgenstein called `speech-acts'. The action might be read as five acts, formed as in Greek tragedy by the punctuations of the poet as Chorus. For sure, the poet declares that he must change his `notes' to ...
... means of speeches; what Wittgenstein called `speech-acts'. The action might be read as five acts, formed as in Greek tragedy by the punctuations of the poet as Chorus. For sure, the poet declares that he must change his `notes' to ...
Pagina 35
... mean not only `attention, hearing' but also the people who comprise the entailed auditory. But the precision lies in the generality and focus: we are made to think about the oratorical powers which compel listening, not about who is ...
... mean not only `attention, hearing' but also the people who comprise the entailed auditory. But the precision lies in the generality and focus: we are made to think about the oratorical powers which compel listening, not about who is ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing