A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 4
... poets also recognized many other kinds, identified by a mix of formal and thematic elements, conventions and topics ... poetic art. His final comment privileging biblical lyric over all other lyric poetry not only for truth but also for ...
... poets also recognized many other kinds, identified by a mix of formal and thematic elements, conventions and topics ... poetic art. His final comment privileging biblical lyric over all other lyric poetry not only for truth but also for ...
Pagina 5
... poets ± Homer, Tiresias, Linus and Orpheus ± whose high subjects require an ascetic and chaste life: `For the poet is sacred to the gods: he is their priest' (line 77). Also, the graceful, urbane companion poems, `L'Allegro' and `Il ...
... poets ± Homer, Tiresias, Linus and Orpheus ± whose high subjects require an ascetic and chaste life: `For the poet is sacred to the gods: he is their priest' (line 77). Also, the graceful, urbane companion poems, `L'Allegro' and `Il ...
Pagina 9
... poetic voice. The generic topics of funeral elegy ± praise, lament, consolation ± are present, though not as distinct parts of the poem. Virtually every line echoes other pastoral elegies by classical, neo ... poet, and pastoral is. Genre 9.
... poetic voice. The generic topics of funeral elegy ± praise, lament, consolation ± are present, though not as distinct parts of the poem. Virtually every line echoes other pastoral elegies by classical, neo ... poet, and pastoral is. Genre 9.
Pagina 10
... poet and the living mourner are presented as companion shepherds singing and tending sheep in a locus amoenus ± an idealized Cambridge University characterized by pastoral otium. The first collapse of pastoral obliterates this ...
... poet and the living mourner are presented as companion shepherds singing and tending sheep in a locus amoenus ± an idealized Cambridge University characterized by pastoral otium. The first collapse of pastoral obliterates this ...
Pagina 11
... poet carefully avoids Petrarchan subjection to the bonds of Cupid and the lady's power, retaining his autonomy and ... poetic achievements in English which promise, his friends remind him, an `immortal reward' of fame (`Canzone', line 11) ...
... poet carefully avoids Petrarchan subjection to the bonds of Cupid and the lady's power, retaining his autonomy and ... poetic achievements in English which promise, his friends remind him, an `immortal reward' of fame (`Canzone', line 11) ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing