A Companion to Milton

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Thomas N. Corns
John Wiley & Sons, 15 apr. 2008 - 548 pagina's
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The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.

  • Winner of the Milton Society of America's Irene Samuels Book Award in 2002.
  • Invites readers to explore and enjoy Milton's rich and fascinating work.
  • Comprises 29 fresh and powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar.
  • Looks at literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, other relevant contemporary texts and responses to Milton over time.
  • Devotes a whole chapter to each major poem, and four to Paradise Lost.
  • Conveys the excitement of recent developments in the field.

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Pagina 4
These modes may govern works or parts of works in several kinds: we might have a pastoral comedy, or pastoral eclogue, or pastoral song; or a satiric verse epistle, or epigram, or novel. Also, Milton links biblical with ...
Pagina 5
Milton wrote many kinds of poems: sonnets in Italian and English, elegies and verse epistles in Latin elegiac verse, funeral elegies in English and Latin, songs, literary hymns, odes, epitaphs, encomiums, a masque, an entertainment, ...
Pagina 13
By his choice of subject and use of blank verse, he distances himself from Dryden, Davenant, Cowley and other contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, ...
Pagina 17
In a note added in 1668 explaining his use of blank verse, Milton openly contested the new norm for heroic poetry and drama, the heroic couplet. By remarkable coincidence, his blank verse epic greeted the reading public at about the ...
Pagina 18
These lines allude to the verses, then widely accepted as genuine, that introduce the Aeneid in most Renaissance editions (Virgil 1960: 240±1) and supposedly announce Virgil's turn from pastoral and georgic to an epic subject: I who ere ...

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Geselecteerde pagina's

Inhoudsopgave

PART II Politics and Religion
107
PART III Texts
211
PART IV Influences and Reputation
445
PART V Biography
481
Consolidated Bibliography
499
General Index
521
Copyright

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Veelvoorkomende woorden en zinsdelen

Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing

Over de auteur (2008)

Thomas N. Corns is a Professor of English at the University of Wales, Bangor. His many publications include Milton's Language (Blackwell, 1990), Uncloistered Virtue: English Political Literature, 1640-1660 (1992), and Regaining Paradise Lost (1994). He is also the editor of The Royal Image: Representations of Charles I (1999).

Bibliografische gegevens

QR code for A Companion to Milton
TitelA Companion to Milton
Blackwell Companions to Literature and Culture
RedacteurThomas N. Corns
Editieherzien
UitgeverJohn Wiley & Sons, 2008
ISBN0470998628, 9780470998625
Lengte548 pagina's
  
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