A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina 4
... verse epistle, or epigram, or novel. Also, Milton links biblical with classical models ± Homer and Job for epic, Sophocles and the Apocalypse for tragedy, Pindar and the Psalms for the high lyric ± indicating his sense of the Bible as a ...
... verse epistle, or epigram, or novel. Also, Milton links biblical with classical models ± Homer and Job for epic, Sophocles and the Apocalypse for tragedy, Pindar and the Psalms for the high lyric ± indicating his sense of the Bible as a ...
Pagina 5
... verse epistles in Latin elegiac verse, funeral elegies in English and Latin, songs, literary hymns, odes, epitaphs, encomiums, a masque, an entertainment, a tragedy, an epic and a brief epic. He also wrote several kinds of prose ...
... verse epistles in Latin elegiac verse, funeral elegies in English and Latin, songs, literary hymns, odes, epitaphs, encomiums, a masque, an entertainment, a tragedy, an epic and a brief epic. He also wrote several kinds of prose ...
Pagina 13
... verse, he distances himself from Dryden, Davenant, Cowley and other contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, Lucan and Lucretius ± and to such moderns as ...
... verse, he distances himself from Dryden, Davenant, Cowley and other contemporary aspirants to epic; but his allusions continually acknowlege debts to the great ancients ± Homer, Virgil, Ovid, Lucan and Lucretius ± and to such moderns as ...
Pagina 17
... Verse is acknowledg'd to be too low for a Poem, nay more, for a paper of verses; but if too low for an ordinary Sonnet, how much more for Tragedy' (lines 66±7) ± or for epic, he implies, since drama and epic are of the same genus. In ...
... Verse is acknowledg'd to be too low for a Poem, nay more, for a paper of verses; but if too low for an ordinary Sonnet, how much more for Tragedy' (lines 66±7) ± or for epic, he implies, since drama and epic are of the same genus. In ...
Pagina 18
... verses, then widely accepted as genuine, that introduce the Aeneid in most Renaissance editions (Virgil 1960: 240±1) and supposedly announce Virgil's turn from pastoral and georgic to an epic subject: I who ere while the happy garden ...
... verses, then widely accepted as genuine, that introduce the Aeneid in most Renaissance editions (Virgil 1960: 240±1) and supposedly announce Virgil's turn from pastoral and georgic to an epic subject: I who ere while the happy garden ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing