A Companion to MiltonThomas N. Corns John Wiley & Sons, 15 apr 2008 - 544 pagina's The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion.
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Pagina ix
... voices in contemporary Milton studies. Scholars have been asked, not to offer a bland overview of a critical tradition, but to develop readings that express the freshness and originality of their own approaches. The `companionship' this ...
... voices in contemporary Milton studies. Scholars have been asked, not to offer a bland overview of a critical tradition, but to develop readings that express the freshness and originality of their own approaches. The `companionship' this ...
Pagina 9
... voice. The generic topics of funeral elegy ± praise, lament, consolation ± are present, though not as distinct parts of the poem. Virtually every line echoes other pastoral elegies by classical, neo-Latin and vernacular Renaissance ...
... voice. The generic topics of funeral elegy ± praise, lament, consolation ± are present, though not as distinct parts of the poem. Virtually every line echoes other pastoral elegies by classical, neo-Latin and vernacular Renaissance ...
Pagina 10
... voice' of St Peter promising that some formidable if ambiguous `two-handed engine' stands ready `at the door' to smite the guilty and cleanse the church (lines 130±2). These consolations, however incomplete, allow the swain to recall ...
... voice' of St Peter promising that some formidable if ambiguous `two-handed engine' stands ready `at the door' to smite the guilty and cleanse the church (lines 130±2). These consolations, however incomplete, allow the swain to recall ...
Pagina 12
... voices a bitter complaint against a taskmaster God who seems to demand service even from a blind poet, then moves towards resolving that problem by projecting a regal God who needs no service but whose kingdom has place for all. A later ...
... voices a bitter complaint against a taskmaster God who seems to demand service even from a blind poet, then moves towards resolving that problem by projecting a regal God who needs no service but whose kingdom has place for all. A later ...
Pagina 20
... voice of community mores. Especially in the long segment after Samson leaves the scene, it falls to them to try to understand what Samson's life and death mean for Israel, and what they themselves are called to do. The preface also ...
... voice of community mores. Especially in the long segment after Samson leaves the scene, it falls to them to try to understand what Samson's life and death mean for Israel, and what they themselves are called to do. The preface also ...
Inhoudsopgave
PART II Politics and Religion | 107 |
PART III Texts | 211 |
PART IV Influences and Reputation | 445 |
PART V Biography | 481 |
Consolidated Bibliography | 499 |
General Index | 521 |
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Abdiel Adam and Eve Adam's allusion angels Areopagitica argued argument Arminian authority baroque biblical bishops Book Calvinist century Charles Christ Christian church classical Comus contemporary court CPW VII critics culture Dalila death divine divorce Doctrine drama early earth edition Eikonoklastes England English epic Eve's Faerie Queene faith Fall fallen genre God's heaven hell human interpretation John John Milton King language Latin liberty lines literary Long Parliament Lycidas masque means Milton monarchy Monck monody moral narrative nature Norbrook obedience pamphlet Paradise Lost Paradise Regained Parliament pastoral poem poet poetic poetry polemical political prelapsarian Presbyterians printed prose Protestant puritan radical Raphael readers Readie and Easie reading reason Reformation regicide religious republican Restoration rhetorical Roman royalist Samson Agonistes Satan scripture sense seventeenth-century sexual sonnet Spenser spirit thee thir thou tracts tradition tragedy truth verse virtue voice words writing