The New Oxford Book of Irish VerseNever have the immense riches of Irish poetry been displayed to better advantage in this magnificent new collection. The Irish poetic tradition is generally not considered in its entirety. For the poetry in Irish, especially in the early and medieval periods, the emphasis is frequently specialist or linguistic, while the poetry in English is usually considered as an adjunct to the English tradition. Thomas Kinsella's new anthology views the tradition as a whole, with two major bodies of poetry in interaction--sharing, for a great part of their existence, a very painful history. The selection is divided into three "Books." Book I opens with the earliest, pre-Christian poetry in Old Irish and ends in the fourteenth century with the first Irish poetry in the English language. Book II, from the fourteenth to the eighteenth century, presents the age of bardic poetry, and the great poetry of its decline, with the "new" poetry in Irish that followed it, and the era of Swift and Goldsmith. Book III covers the nineteenth and twentieth centuries, from the beggar poet Raifteiri, in Irish, and his contemporary, Thomas Moore, to the work of a number of poets born about the time of Yeats's death. A feature of the anthology is the body of new translations by Thomas Kinsella. Versions have been used, where appropriate, from his 1981 publication, Poems of the Dispossessed: 1600-1900 (with The Midnight Court now completed) but new versions have been made for all other parts of the work. These amount to a significant new selection: of the early poetry (with some poems from the Latin), of four centuries of bardic poetry, and of a nubmer of modern poems. About the Editor: Thomas Kinsella, poet and translator, divides his time between Dublin and Philadelphia, where he is Professor of English at Temple University. Among his publications are the Tain (1969), Poems 1956-1973, Peppercanister Poems 1972-1978, An Duanaire: Poems of the Dispossessed 1600-1900, and Songs of the Psyche and Her Vertical Smile (1985). Features: A magnificent new collection of Irish verse that treats the tradition as a unified whole Spans the body of poetry from the pre-Christian era to the present Contains new translations of much verse originally written in Irish |
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Pagina xxiii
Something of the same pre - Christian quality , though far weaker , can be sensed in the eighth - century ' Saint Patrick's Breastplate ' . It is stronger in the Cétamain ( ' First of summer ... ' ) , a ninth - century text but an ...
Something of the same pre - Christian quality , though far weaker , can be sensed in the eighth - century ' Saint Patrick's Breastplate ' . It is stronger in the Cétamain ( ' First of summer ... ' ) , a ninth - century text but an ...
Pagina xxiv
a By the seventh century , with ' The Boyhood of Christ ' , Christian theme and native tongue were as one , and the circumstances were right for the early monastic poems and glosses . The immediacy of these early poems , the freshness ...
a By the seventh century , with ' The Boyhood of Christ ' , Christian theme and native tongue were as one , and the circumstances were right for the early monastic poems and glosses . The immediacy of these early poems , the freshness ...
Pagina 400
Laoiseach Mac an Bháird was a Monaghan poet of the late sixteenth century . In his work there is the first occurrence of the great theme of the coming of the final ' stranger ' and the ruin of the old order . The tree of the first poem ...
Laoiseach Mac an Bháird was a Monaghan poet of the late sixteenth century . In his work there is the first occurrence of the great theme of the coming of the final ' stranger ' and the ruin of the old order . The tree of the first poem ...
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Inhoudsopgave
TO THE SIXTH CENTURY | 3 |
From the Latin | 9 |
EIGHTHNINTH CENTURY | 16 |
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