The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... flat, as pattern, from above. As Paris turned its once invisible roofs and the now clear labyrinth of its alleys and streets towards the tourist's eye, becoming a map of itself, a new type of landscape began to seep into popular ...
... flat, as pattern, from above. As Paris turned its once invisible roofs and the now clear labyrinth of its alleys and streets towards the tourist's eye, becoming a map of itself, a new type of landscape began to seep into popular ...
Pagina
... flat, patterned space of modern art — Gauguin, Maurice Denis, Seurat — was already under development before the Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese ...
... flat, patterned space of modern art — Gauguin, Maurice Denis, Seurat — was already under development before the Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese ...
Pagina
... flat sheet of paper as though they were in space, in their right sizes and positions. To fifteenth-century artists, perspective was the philosopher's stone of art; one can hardly exaggerate the excitement they felt in the face of its ...
... flat sheet of paper as though they were in space, in their right sizes and positions. To fifteenth-century artists, perspective was the philosopher's stone of art; one can hardly exaggerate the excitement they felt in the face of its ...
Pagina 19
... flat to make way for Beaubourg and the Halles developments, the victim of sixties chic and the relentless kitsch-modernism of le style Pompidou. It is still there, only in pockets: the glass and iron city of small arcades, the marble ...
... flat to make way for Beaubourg and the Halles developments, the victim of sixties chic and the relentless kitsch-modernism of le style Pompidou. It is still there, only in pockets: the glass and iron city of small arcades, the marble ...
Pagina 30
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York