The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... Cézanne's whole effort was directed towards the physical world — the shapes of Mont Ste-Victoire, of the tumbled inchoate rocks of the Bibémus quarry, of six dense red apples or his gardener's face. The idea of Cézanne as the father of ...
... Cézanne's whole effort was directed towards the physical world — the shapes of Mont Ste-Victoire, of the tumbled inchoate rocks of the Bibémus quarry, of six dense red apples or his gardener's face. The idea of Cézanne as the father of ...
Pagina
... Cézanne's peculiar style makes concrete: the broken outlines, strokes of pencil laid side by side, are emblems of scrupulousness in the midst of a welter of doubt. Each painting or watercolour is about the motif. But it is also about ...
... Cézanne's peculiar style makes concrete: the broken outlines, strokes of pencil laid side by side, are emblems of scrupulousness in the midst of a welter of doubt. Each painting or watercolour is about the motif. But it is also about ...
Pagina 1
... time, into one moment — one synthesized view. They aimed to render that sense of multiplicity, which had been the subtext of Cézanne's late work, as the governing element of reality. 2 Paul Cézanne Mont Ste-Victoire 1904—6 Oil on canvas 29.
... time, into one moment — one synthesized view. They aimed to render that sense of multiplicity, which had been the subtext of Cézanne's late work, as the governing element of reality. 2 Paul Cézanne Mont Ste-Victoire 1904—6 Oil on canvas 29.
Pagina 5
... unmistakable echo of that favourite image of the late Renaissance, the Three Graces. Picasso began it the year Cézanne died, 1906, and its nearest ancestor seems to have been Cézanne's monumental composition of bathers.
... unmistakable echo of that favourite image of the late Renaissance, the Three Graces. Picasso began it the year Cézanne died, 1906, and its nearest ancestor seems to have been Cézanne's monumental composition of bathers.
Pagina 6
... Cézanne's monumental composition of bathers displaying their blockish, angular bodies beneath arching trees (plate 7). Its other line of descent is Picasso's Spanish heritage. The bodies of the two caryatid-like standing nudes, and to a ...
... Cézanne's monumental composition of bathers displaying their blockish, angular bodies beneath arching trees (plate 7). Its other line of descent is Picasso's Spanish heritage. The bodies of the two caryatid-like standing nudes, and to a ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York