The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... Cubist painting is a still-life, and one in which manmade objects predominate over natural ones like flowers or fruit. Cubism as practised by its inventors and chief interpreters — Picasso, Braque, Léger, and Gris — does not woo the eye ...
... Cubist painting is a still-life, and one in which manmade objects predominate over natural ones like flowers or fruit. Cubism as practised by its inventors and chief interpreters — Picasso, Braque, Léger, and Gris — does not woo the eye ...
Pagina
... Cubism is quite one-sided: he would not have imagined a Cubist painting, for his work “was reaching out for a kind of modernity that did not exist, and still does not.” He would not have liked Cubist abstraction, that much is sure. For ...
... Cubism is quite one-sided: he would not have imagined a Cubist painting, for his work “was reaching out for a kind of modernity that did not exist, and still does not.” He would not have liked Cubist abstraction, that much is sure. For ...
Pagina
... touchstone of modernity itself. Cubism would take it to an extreme. The idea began in 1907, in a warren of cheap artists' studios known as the “Bateau-Lavoir” or “Laundry Boat,” at 13 Rue Ravignan in Paris. It was touched off by.
... touchstone of modernity itself. Cubism would take it to an extreme. The idea began in 1907, in a warren of cheap artists' studios known as the “Bateau-Lavoir” or “Laundry Boat,” at 13 Rue Ravignan in Paris. It was touched off by.
Pagina 1
... Cubism was a younger and rather more conservative Frenchman, Georges Braque, the son of a housepainter in Normandy. Picasso already had a small reputation, based on the wistful, etiolated nudes, circus folk, and beggars he had been ...
... Cubism was a younger and rather more conservative Frenchman, Georges Braque, the son of a housepainter in Normandy. Picasso already had a small reputation, based on the wistful, etiolated nudes, circus folk, and beggars he had been ...
Pagina 4
... Cubism was like a dainty parody of the imperial model. The African carvings were an exploitable resource, like copper or palm-oil, and Picasso's use of them was a kind of cultural plunder. But then, why use African art at all? The ...
... Cubism was like a dainty parody of the imperial model. The African carvings were an exploitable resource, like copper or palm-oil, and Picasso's use of them was a kind of cultural plunder. But then, why use African art at all? The ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York