The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina 19
... Dada during the war. Much of the myth of modern art was created by packaging, and Marinetti was an expert at packaging. He devised a scenario of confrontation in which every kind of human behaviour could eventually be seen as “art,” and ...
... Dada during the war. Much of the myth of modern art was created by packaging, and Marinetti was an expert at packaging. He devised a scenario of confrontation in which every kind of human behaviour could eventually be seen as “art,” and ...
Pagina 19
... Dada, in which a brand name (the Mona Lisa has been used to advertise all sorts of products from Italian hairpins to Argentinian jam) is pressed into service to indicate that Leonardo's portrait, along with the rest of the Renaissance ...
... Dada, in which a brand name (the Mona Lisa has been used to advertise all sorts of products from Italian hairpins to Argentinian jam) is pressed into service to indicate that Leonardo's portrait, along with the rest of the Renaissance ...
Pagina 30
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 30
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 30
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York