The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... paid to sculpture, beyond the work of Brancusi, Picasso, and some of the Constructivists: no Rodin, Rosso, 0r Moore, no Gonzales, Calder, Anthony Caro, Louise Nevelson, or David Smith. In painting, artists as diverse and important as.
... paid to sculpture, beyond the work of Brancusi, Picasso, and some of the Constructivists: no Rodin, Rosso, 0r Moore, no Gonzales, Calder, Anthony Caro, Louise Nevelson, or David Smith. In painting, artists as diverse and important as.
Pagina
... , the technical sensation of the Belle Epoque. The first twenty-five years of the life of the archetypal modern artist, Pablo Picasso — who was born in 1881 — witnessed the foundation of twentieth-century technology for peace.
... , the technical sensation of the Belle Epoque. The first twenty-five years of the life of the archetypal modern artist, Pablo Picasso — who was born in 1881 — witnessed the foundation of twentieth-century technology for peace.
Pagina
... Picasso, Braque, Léger, and Gris — does not woo the eye or the senses, and its theatre is a cramped brown room or the corner of a café. Beside the peacocks of the nineteenth century — the canvases of Delacroix or Renoir - their ...
... Picasso, Braque, Léger, and Gris — does not woo the eye or the senses, and its theatre is a cramped brown room or the corner of a café. Beside the peacocks of the nineteenth century — the canvases of Delacroix or Renoir - their ...
Pagina 1
... Picasso, then aged twenty-six. His partner in inventing Cubism was a younger and rather more conservative Frenchman, Georges Braque, the son of a housepainter in Normandy. Picasso already had a small reputation, based on the wistful ...
... Picasso, then aged twenty-six. His partner in inventing Cubism was a younger and rather more conservative Frenchman, Georges Braque, the son of a housepainter in Normandy. Picasso already had a small reputation, based on the wistful ...
Pagina 3
... Picasso and then Braque brought to its climax a long interest which nineteenth-century France had shown in the exotic, the distant, and the primitive. The French colonial empire in Morocco had given the exotic images of Berber and soukh ...
... Picasso and then Braque brought to its climax a long interest which nineteenth-century France had shown in the exotic, the distant, and the primitive. The French colonial empire in Morocco had given the exotic images of Berber and soukh ...
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abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York