The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... Russian Konstantin Tsiolkovsky first enunciated the principle of rocket drive, and Freud published his fundamental studies on hysteria. And so it went: the discovery of radium, the magnetic recording of sound, the first voice radio ...
... Russian Konstantin Tsiolkovsky first enunciated the principle of rocket drive, and Freud published his fundamental studies on hysteria. And so it went: the discovery of radium, the magnetic recording of sound, the first voice radio ...
Pagina 10
... Russian Constructivism, via Tatlin, begins its course; in the West, it initiates a tradition which runs to David Smith and Anthony Caro, that of assembled, welded metal sculpture. 11 Georges Braque Chateau de La Roche-Guyon 1909.
... Russian Constructivism, via Tatlin, begins its course; in the West, it initiates a tradition which runs to David Smith and Anthony Caro, that of assembled, welded metal sculpture. 11 Georges Braque Chateau de La Roche-Guyon 1909.
Pagina 19
... Russia, where the Futurist worship of the machine and its Promethean sense of technology as the solvent of all social ills became a central issue for the Constructivists after 1913, and as near as Switzerland, where the Futurist ...
... Russia, where the Futurist worship of the machine and its Promethean sense of technology as the solvent of all social ills became a central issue for the Constructivists after 1913, and as near as Switzerland, where the Futurist ...
Pagina 34
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 44
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York