The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... Tower. The Tower was finished in 1889, as the focal point of the Paris World's Fair. The date of the Fair was symbolic. It was the centenary of the French Revolution. The holding of World's Fairs, those festivals of high machine-age ...
... Tower. The Tower was finished in 1889, as the focal point of the Paris World's Fair. The date of the Fair was symbolic. It was the centenary of the French Revolution. The holding of World's Fairs, those festivals of high machine-age ...
Pagina
The Hundred=Year History of Modern Art Robert Hughes. metaphor should be the Tower of Babel. But the Tower embodied other and socially deeper metaphors. The theme of the Fair was manufacture and transformation, the dynamics of capital ...
The Hundred=Year History of Modern Art Robert Hughes. metaphor should be the Tower of Babel. But the Tower embodied other and socially deeper metaphors. The theme of the Fair was manufacture and transformation, the dynamics of capital ...
Pagina
... Tower became the symbol of Paris overnight, and in doing so, it proclaimed la ville lumiere to be the modernist ... Tower, at the edge of the coming millennium, the twentieth century: At last you are tired of this old world. 0 shepherd ...
... Tower became the symbol of Paris overnight, and in doing so, it proclaimed la ville lumiere to be the modernist ... Tower, at the edge of the coming millennium, the twentieth century: At last you are tired of this old world. 0 shepherd ...
Pagina
... Tower stood for that too. The most spectacular thing about it in the 18905 was not the view of the Tower from the ground. It was seeing the ground from the Tower. Until then, the highest manmade point from which Paris could be seen by ...
... Tower stood for that too. The most spectacular thing about it in the 18905 was not the view of the Tower from the ground. It was seeing the ground from the Tower. Until then, the highest manmade point from which Paris could be seen by ...
Pagina
... Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese woodblock prints, on the coiling and distinct patterns of cloisonné enamel. When Gauguin's friend Maurice Denis ...
... Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese woodblock prints, on the coiling and distinct patterns of cloisonné enamel. When Gauguin's friend Maurice Denis ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York