The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... avant-garde petered out in the institutionalized culture of late modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of painting, and to a lesser degree sculpture and ...
... avant-garde petered out in the institutionalized culture of late modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of painting, and to a lesser degree sculpture and ...
Pagina
... art, we are at the end of the modernist era, but this is not — as some critics apparently think — a matter for self-congratulation. What has our culture lost in 1980 that the avant-garde had in THE MECHANICAL PARADISE.
... art, we are at the end of the modernist era, but this is not — as some critics apparently think — a matter for self-congratulation. What has our culture lost in 1980 that the avant-garde had in THE MECHANICAL PARADISE.
Pagina
... avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which ...
... avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which ...
Pagina
... avant-garde of engineering seemed to have something in common with the avant-garde of art. As the most visible sign of the Future, the automobile entered art in a peculiarly clumsy way. The first public sculpture ever set up in its ...
... avant-garde of engineering seemed to have something in common with the avant-garde of art. As the most visible sign of the Future, the automobile entered art in a peculiarly clumsy way. The first public sculpture ever set up in its ...
Pagina 19
... avant-garde: not only in Italy, but as far afield as Russia, where the Futurist worship of the machine and its Promethean sense of technology as the solvent of all social ills became a central issue for the Constructivists after 1913 ...
... avant-garde: not only in Italy, but as far afield as Russia, where the Futurist worship of the machine and its Promethean sense of technology as the solvent of all social ills became a central issue for the Constructivists after 1913 ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York