The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... THE MECHANICAL PARADISE Two THE FACES OF POWER Three THE LANDSCAPE OF PLEASURE Four TROUBLE IN UTOPIA Five THE THRESHOLD OF LIBERTY Six THE VIEW FROM THE EDGE Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography.
... THE MECHANICAL PARADISE Two THE FACES OF POWER Three THE LANDSCAPE OF PLEASURE Four TROUBLE IN UTOPIA Five THE THRESHOLD OF LIBERTY Six THE VIEW FROM THE EDGE Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography.
Pagina
The Hundred=Year History of Modern Art Robert Hughes. Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography Index Illustration Credits A Note About the Television Series A Note About the Author Other Books by This Author ...
The Hundred=Year History of Modern Art Robert Hughes. Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography Index Illustration Credits A Note About the Television Series A Note About the Author Other Books by This Author ...
Pagina
... would start with a programme about the blossoming of a sense of modernity in European culture — roughly from 1880 to 1914 — in which the myth of the Future was born in the atmosphere of millenarian optimism that surrounded Introduction.
... would start with a programme about the blossoming of a sense of modernity in European culture — roughly from 1880 to 1914 — in which the myth of the Future was born in the atmosphere of millenarian optimism that surrounded Introduction.
Pagina
... culture of late modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of painting, and to a lesser degree sculpture and architecture, to some of the great cultural issues of ...
... culture of late modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of painting, and to a lesser degree sculpture and architecture, to some of the great cultural issues of ...
Pagina
... culture that did not confuse TV with reality. Unfortunately, America does. But the fuller truth about art is in museums, studios, galleries, and books, and cannot be fitted on the screen. Nevertheless, my original gratitude to those ...
... culture that did not confuse TV with reality. Unfortunately, America does. But the fuller truth about art is in museums, studios, galleries, and books, and cannot be fitted on the screen. Nevertheless, my original gratitude to those ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York