The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
Vanuit het boek
Resultaten 1-5 van 76
Pagina
... images of nature whose last efflorescence was in the work of Monet and Renoir. The master-image of painting was no longer landscape but the metropolis. In the country, things grow; but the essence of manufacture, of the city, is process ...
... images of nature whose last efflorescence was in the work of Monet and Renoir. The master-image of painting was no longer landscape but the metropolis. In the country, things grow; but the essence of manufacture, of the city, is process ...
Pagina
... images of mid-bourgeois pleasure and boulevard manners. They have very little to do with nature; almost every Cubist painting is a still-life, and one in which manmade objects predominate over natural ones like flowers or fruit. Cubism ...
... images of mid-bourgeois pleasure and boulevard manners. They have very little to do with nature; almost every Cubist painting is a still-life, and one in which manmade objects predominate over natural ones like flowers or fruit. Cubism ...
Pagina 17
... images. As description of a fixed form, they are useless. But as a report on multiple meanings, on process, they are exquisite and inexhaustible: the world is set forth as a field of shifting relationships that includes the onlooker ...
... images. As description of a fixed form, they are useless. But as a report on multiple meanings, on process, they are exquisite and inexhaustible: the world is set forth as a field of shifting relationships that includes the onlooker ...
Pagina 19
... images of the machine age that would cut across the barriers of class and education — a didactic art for the man in the street, not highly refined, but clear, definite, pragmatic, and rooted in everyday experience. Léger was the son of ...
... images of the machine age that would cut across the barriers of class and education — a didactic art for the man in the street, not highly refined, but clear, definite, pragmatic, and rooted in everyday experience. Léger was the son of ...
Pagina 19
... images of light, structure, and dynamism as subjects in their work. The most gifted of them in the Ecole de Paris, and still the least appreciated today, was Robert Delaunay (1885—1941). For him, the master-image of culture was the ...
... images of light, structure, and dynamism as subjects in their work. The most gifted of them in the Ecole de Paris, and still the least appreciated today, was Robert Delaunay (1885—1941). For him, the master-image of culture was the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York