The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... imagined as a benevolent colossus, planted with spread legs in the middle of Paris. It also referred to the greatest permanent festive structure of the seventeenth century, Bernini's Fountain of the Four Rivers in the Piazza Navona in ...
... imagined as a benevolent colossus, planted with spread legs in the middle of Paris. It also referred to the greatest permanent festive structure of the seventeenth century, Bernini's Fountain of the Four Rivers in the Piazza Navona in ...
Pagina
... imagined, in a tone of mingled irony and delight, the Second Coming of Christ enacted in a new Paris whose centre was the Tower, at the edge of the coming millennium, the twentieth century: At last you are tired of this old world. 0 ...
... imagined, in a tone of mingled irony and delight, the Second Coming of Christ enacted in a new Paris whose centre was the Tower, at the edge of the coming millennium, the twentieth century: At last you are tired of this old world. 0 ...
Pagina
... imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a god of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker. Perspective gathers the ...
... imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a god of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker. Perspective gathers the ...
Pagina
... imagined a Cubist painting, for his work “was reaching out for a kind of modernity that did not exist, and still does not.” He would not have liked Cubist abstraction, that much is sure. For Cézanne's whole effort was directed towards ...
... imagined a Cubist painting, for his work “was reaching out for a kind of modernity that did not exist, and still does not.” He would not have liked Cubist abstraction, that much is sure. For Cézanne's whole effort was directed towards ...
Pagina 4
... quite another. Yet this was what Picasso did with his African prototypes, around 1906—8. When he began to parody black art, he was stating what no eighteenth-century artist would ever have imagined suggesting: that the tradition.
... quite another. Yet this was what Picasso did with his African prototypes, around 1906—8. When he began to parody black art, he was stating what no eighteenth-century artist would ever have imagined suggesting: that the tradition.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York