The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... THE MECHANICAL PARADISE Two THE FACES OF POWER Three THE LANDSCAPE OF PLEASURE Four TROUBLE IN UTOPIA Five THE THRESHOLD OF LIBERTY Six THE VIEW FROM THE EDGE Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography.
... THE MECHANICAL PARADISE Two THE FACES OF POWER Three THE LANDSCAPE OF PLEASURE Four TROUBLE IN UTOPIA Five THE THRESHOLD OF LIBERTY Six THE VIEW FROM THE EDGE Seven CULTURE AS NATURE Eight THE FUTURE THAT WAS Bibliography.
Pagina
... landscape but the metropolis. In the country, things grow; but the essence of manufacture, of the city, is process, and this could only be expressed by metaphors of linkage, relativity, interconnectedness. These metaphors were not ready ...
... landscape but the metropolis. In the country, things grow; but the essence of manufacture, of the city, is process, and this could only be expressed by metaphors of linkage, relativity, interconnectedness. These metaphors were not ready ...
Pagina
... landscape began to seep into popular awareness. It was based on frontality and pattern, rather than on perspective recession and depth. This way of seeing was one of the pivots in human consciousness. The sight of Paris vu d'en haut ...
... landscape began to seep into popular awareness. It was based on frontality and pattern, rather than on perspective recession and depth. This way of seeing was one of the pivots in human consciousness. The sight of Paris vu d'en haut ...
Pagina
... landscape implied? How could you produce a parallel dynamism to the machine age without falling into the elementary trap of just becoming a machine illustrator? And above all: how, by shoving sticky stuff like paint around on the ...
... landscape implied? How could you produce a parallel dynamism to the machine age without falling into the elementary trap of just becoming a machine illustrator? And above all: how, by shoving sticky stuff like paint around on the ...
Pagina 7
... landscape is static, almost mineralized. In his wish to see behind the tree on the left, Braque abolished its foliage and brought into view more houses, whose planes connect into the branches and trunk of the tree, immovably locking ...
... landscape is static, almost mineralized. In his wish to see behind the tree on the left, Braque abolished its foliage and brought into view more houses, whose planes connect into the branches and trunk of the tree, immovably locking ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York