The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... machine age, as the nineteenth century clicked over into the twentieth century. We would finish with a film that tried to describe how art gradually lost that sense of newness and possibility, as the idea of the avant-garde petered out ...
... machine age, as the nineteenth century clicked over into the twentieth century. We would finish with a film that tried to describe how art gradually lost that sense of newness and possibility, as the idea of the avant-garde petered out ...
Pagina
... machine-age capitalism in which nation after nation showed off its industrial strength and the breadth of its colonial resources, was not, of course, new. The fashion had been set by Victoria's Prince Albert, in the Great Exhibition of ...
... machine-age capitalism in which nation after nation showed off its industrial strength and the breadth of its colonial resources, was not, of course, new. The fashion had been set by Victoria's Prince Albert, in the Great Exhibition of ...
Pagina
... machine that we do. No statistics on pollution, no prospect of melt-downs or core explosions lay on the horizon; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless suffering ...
... machine that we do. No statistics on pollution, no prospect of melt-downs or core explosions lay on the horizon; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless suffering ...
Pagina
... machine on wheels. For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before — the succession and superimposition of views, the unfolding of landscape in ...
... machine on wheels. For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before — the succession and superimposition of views, the unfolding of landscape in ...
Pagina
... machine into the conventions of traditional sculpture (plate 1). It is a stone car — an idea that seems Surrealist to a modern eye, almost as wrong as a teacup made of fur. Marble is immobile, silent, mineral, brittle, white, cold. Cars ...
... machine into the conventions of traditional sculpture (plate 1). It is a stone car — an idea that seems Surrealist to a modern eye, almost as wrong as a teacup made of fur. Marble is immobile, silent, mineral, brittle, white, cold. Cars ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York