The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... modernism. We would start with a programme about the blossoming of a sense of modernity in European culture — roughly from 1880 to 1914 — in which the myth of the Future was born in the atmosphere of millenarian optimism that surrounded ...
... modernism. We would start with a programme about the blossoming of a sense of modernity in European culture — roughly from 1880 to 1914 — in which the myth of the Future was born in the atmosphere of millenarian optimism that surrounded ...
Pagina
... modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of ... modernist century. So I did not try to get everyone in, and there is a long roster of artists whose work is not ...
... modernism. In between, we would have six programmes dealing with six subjects — visual essays on the relationship of ... modernist century. So I did not try to get everyone in, and there is a long roster of artists whose work is not ...
Pagina
... modernist exhibitions was published under that title in 1972, for letting us use it. Henry Grunwald and Ray Cave, successive managing editors at Time, were more than generous in putting up with my frequent, prolonged absences from the ...
... modernist exhibitions was published under that title in 1972, for letting us use it. Henry Grunwald and Ray Cave, successive managing editors at Time, were more than generous in putting up with my frequent, prolonged absences from the ...
Pagina
... modernist laboratory is now vacant. It has become less an arena for significant experiment and more like a period room in a museum, a historical space that we can enter, look at, but no longer be part of. In art, we are at the end of ...
... modernist laboratory is now vacant. It has become less an arena for significant experiment and more like a period room in a museum, a historical space that we can enter, look at, but no longer be part of. In art, we are at the end of ...
Pagina
... modernist capital — quite independently of anything else that might be written, composed, produced, or painted there. As such, it was praised by Guillaume Apollinaire, the cosmopolitan poet who had once been a Catholic and imagined, in ...
... modernist capital — quite independently of anything else that might be written, composed, produced, or painted there. As such, it was praised by Guillaume Apollinaire, the cosmopolitan poet who had once been a Catholic and imagined, in ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York