The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Resultaten 1-5 van 52
Pagina
... sculpture and architecture, to some of the great cultural issues of the last hundred years. How has art created images of dissent, propaganda, and political coercion? How has it defined the world of pleasure, of sensuous communion with ...
... sculpture and architecture, to some of the great cultural issues of the last hundred years. How has art created images of dissent, propaganda, and political coercion? How has it defined the world of pleasure, of sensuous communion with ...
Pagina
... sculpture; by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
... sculpture; by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
Pagina
... sculpture today, suggesting the difficulties artists faced in transposing the new category of the machine into the conventions of traditional sculpture (plate 1). It is a stone car — an idea that seems Surrealist to a modern eye, almost ...
... sculpture today, suggesting the difficulties artists faced in transposing the new category of the machine into the conventions of traditional sculpture (plate 1). It is a stone car — an idea that seems Surrealist to a modern eye, almost ...
Pagina 10
... sculpture, off the canvas, including the hills in the distance behind the palm trees. And indeed, within a few years Picasso would be turning this predilection into real sculpture, so commencing a parallel career as the most succinctly ...
... sculpture, off the canvas, including the hills in the distance behind the palm trees. And indeed, within a few years Picasso would be turning this predilection into real sculpture, so commencing a parallel career as the most succinctly ...
Pagina 10
... sculpture is conceived not as a solid mass (modelled clay, cast bronze, carved stone or wood), but as an open construction of planes. It is doubtful whether any single sculpture has ever had, by such deceptively humble means, a ...
... sculpture is conceived not as a solid mass (modelled clay, cast bronze, carved stone or wood), but as an open construction of planes. It is doubtful whether any single sculpture has ever had, by such deceptively humble means, a ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York