The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... studios, galleries, and books, and cannot be fitted on the screen. Nevertheless, my original gratitude to those with whom I worked on the original production of The Shock of the New remains unchanged: to Lorna Pegram, who produced the ...
... studios, galleries, and books, and cannot be fitted on the screen. Nevertheless, my original gratitude to those with whom I worked on the original production of The Shock of the New remains unchanged: to Lorna Pegram, who produced the ...
Pagina
... of modernity itself. Cubism would take it to an extreme. The idea began in 1907, in a warren of cheap artists' studios known as the “Bateau-Lavoir” or “Laundry Boat,” at 13 Rue Ravignan in Paris. It was touched off by.
... of modernity itself. Cubism would take it to an extreme. The idea began in 1907, in a warren of cheap artists' studios known as the “Bateau-Lavoir” or “Laundry Boat,” at 13 Rue Ravignan in Paris. It was touched off by.
Pagina 7
... studio, and he felt a need to be on the spot. Specifically, he needed Cézanne's own motifs, and in the summer of 1908 he went off to paint in L'Estaque, in the South of France, where Cézanne had worked. His work there began as almost ...
... studio, and he felt a need to be on the spot. Specifically, he needed Cézanne's own motifs, and in the summer of 1908 he went off to paint in L'Estaque, in the South of France, where Cézanne had worked. His work there began as almost ...
Pagina 19
... studio table. A painting like Still-Life (Fantomas), 1915 (plate 18), is a veritable anthology of his predilections: the calm shifts between opacity and transparency in the overlapping planes, the catalogue of peintre-décorateur effects ...
... studio table. A painting like Still-Life (Fantomas), 1915 (plate 18), is a veritable anthology of his predilections: the calm shifts between opacity and transparency in the overlapping planes, the catalogue of peintre-décorateur effects ...
Pagina 44
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York