The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... and sculpture; by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
... and sculpture; by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
Pagina
... surface, it would demonstrate the power of process. Anyone could buy land, but only la France moderne could undertake the conquest of the air. The Fair's commissioners turned to an engineer, not an architect, to design the Tower. This ...
... surface, it would demonstrate the power of process. Anyone could buy land, but only la France moderne could undertake the conquest of the air. The Fair's commissioners turned to an engineer, not an architect, to design the Tower. This ...
Pagina
... surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from ...
... surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from ...
Pagina
... surface covered with colours arranged in a certain order.” Denis was invoking this principle in order to bring painting back to a kind of heraldic flatness, the flatness of banners and crusaders' tombslabs and the Bayeux Tapestry, in ...
... surface covered with colours arranged in a certain order.” Denis was invoking this principle in order to bring painting back to a kind of heraldic flatness, the flatness of banners and crusaders' tombslabs and the Bayeux Tapestry, in ...
Pagina
... surface of a canvas, could you produce a convincing record of process and transformation? The first artists to sketch an answer to all this were the Cubists. Even today, seventy years after they were painted, the key.
... surface of a canvas, could you produce a convincing record of process and transformation? The first artists to sketch an answer to all this were the Cubists. Even today, seventy years after they were painted, the key.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York