The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... visual essays on the relationship of painting, and to a lesser degree sculpture and architecture, to some of the great cultural issues of the last hundred years. How has art created images of dissent, propaganda, and political coercion ...
... visual essays on the relationship of painting, and to a lesser degree sculpture and architecture, to some of the great cultural issues of the last hundred years. How has art created images of dissent, propaganda, and political coercion ...
Pagina
... visual arts that I felt while making the original series of The Shock of the New has waned. Without accepting the extreme View of neoconservative American critics like Hilton Kramer — that everything that can be shown or said about art ...
... visual arts that I felt while making the original series of The Shock of the New has waned. Without accepting the extreme View of neoconservative American critics like Hilton Kramer — that everything that can be shown or said about art ...
Pagina
... visual arts had a kind of social importance they can no longer claim today, and they seemed to be in a state of utter convulsion. Did cultural turmoil predict social tumult? Many people thought so then; today we are not so sure, but ...
... visual arts had a kind of social importance they can no longer claim today, and they seemed to be in a state of utter convulsion. Did cultural turmoil predict social tumult? Many people thought so then; today we are not so sure, but ...
Pagina
... structure that can be seen from every point in the city. No metropolis in Europe had ever been so visually dominated by a single structure, except Rome by St. Peter's; and even today, Eiffel's spike is more generally visible in its own.
... structure that can be seen from every point in the city. No metropolis in Europe had ever been so visually dominated by a single structure, except Rome by St. Peter's; and even today, Eiffel's spike is more generally visible in its own.
Pagina
... time in which to dwell on any one thing. At first, only a few people could have this curiously altered experience of the visual world without taking a train: the crackpots and inventors with their home-made cars, and then the.
... time in which to dwell on any one thing. At first, only a few people could have this curiously altered experience of the visual world without taking a train: the crackpots and inventors with their home-made cars, and then the.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York