The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina 19
... , a thousand different titles, Lettering on billboards and walls, Doorplates and posters squawk like parrots. Cubist Paris is receding today. It died even faster than Matisse's Cote d'Azur, buried under high rises and drugstores, bulldozed.
... , a thousand different titles, Lettering on billboards and walls, Doorplates and posters squawk like parrots. Cubist Paris is receding today. It died even faster than Matisse's Cote d'Azur, buried under high rises and drugstores, bulldozed.
Pagina 19
... walls (the clean box is the Aleph of art history, containing all possibilities simultaneously) and their feeling of a perpetual present, tend to make art seem newer than it is. You have to pinch yourself to remember that when the paint ...
... walls (the clean box is the Aleph of art history, containing all possibilities simultaneously) and their feeling of a perpetual present, tend to make art seem newer than it is. You have to pinch yourself to remember that when the paint ...
Pagina 19
... walls and old palaces,” he wrote in 1907. “I want the new, the expressive, the formidable.” Formidable is the word for The City Rises, with its muscular red horse dissolving under the power of its own energy, in a shimmer of lambent ...
... walls and old palaces,” he wrote in 1907. “I want the new, the expressive, the formidable.” Formidable is the word for The City Rises, with its muscular red horse dissolving under the power of its own energy, in a shimmer of lambent ...
Pagina 31
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Pagina 44
Je hebt de weergavelimiet voor dit boek bereikt.
Je hebt de weergavelimiet voor dit boek bereikt.
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York