The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... art of our century. Eight hours sounds like a lot of air time, and it is; but it is totally inadequate to the task of doing a formal history of modern art on television, with every artist who did anything significant given his or her ...
... art of our century. Eight hours sounds like a lot of air time, and it is; but it is totally inadequate to the task of doing a formal history of modern art on television, with every artist who did anything significant given his or her ...
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The Hundred=Year History of Modern Art Robert Hughes. was born in the atmosphere of millenarian optimism that surrounded the high machine age, as the nineteenth century clicked over into the twentieth century. We would finish with a film ...
The Hundred=Year History of Modern Art Robert Hughes. was born in the atmosphere of millenarian optimism that surrounded the high machine age, as the nineteenth century clicked over into the twentieth century. We would finish with a film ...
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The Hundred=Year History of Modern Art Robert Hughes. David Smith. In painting, artists as diverse and important as Vuillard, Hans Hofmann, and Balthus are left out. I can only plead, in modest self-defence, that their omission was not ...
The Hundred=Year History of Modern Art Robert Hughes. David Smith. In painting, artists as diverse and important as Vuillard, Hans Hofmann, and Balthus are left out. I can only plead, in modest self-defence, that their omission was not ...
Pagina
The Hundred=Year History of Modern Art Robert Hughes. pourquoi,” Baudelaire wrote after seeing Tannhc'iuser in 1860, “et de transformer ma volupté en connaissance”: “I set out to discover the why of it, and to transform my pleasure into ...
The Hundred=Year History of Modern Art Robert Hughes. pourquoi,” Baudelaire wrote after seeing Tannhc'iuser in 1860, “et de transformer ma volupté en connaissance”: “I set out to discover the why of it, and to transform my pleasure into ...
Pagina
... modern art — Gauguin, Maurice Denis, Seurat — was already under development before the Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese woodblock prints, on the ...
... modern art — Gauguin, Maurice Denis, Seurat — was already under development before the Tower was built. It was based on other art-historical sources: on the flatness of “primitive” Italian frescoes, on Japanese woodblock prints, on the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York