The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
... by eliminating surface, texture, detail, and authentic colour, by working against the resistant physical presence and scale of the work of art, and above all by the brief attention-span it encourages, TV — even in the hands.
Pagina
... colour of a bad cigar, irrevocably altering the tonal balance of the piece. Nevertheless, Cubism was the first radically new proposition about the way we see that painting had made in almost five hundred years. Since the Renaissance ...
... colour of a bad cigar, irrevocably altering the tonal balance of the piece. Nevertheless, Cubism was the first radically new proposition about the way we see that painting had made in almost five hundred years. Since the Renaissance ...
Pagina 6
... colours — the pinks and blues that survive from the wistful misérablisme of his earlier work, lending Les Demoiselles a peculiarly ironic air: whatever else these five women may be, they are not victims or clowns. 4 Pablo Picasso Les ...
... colours — the pinks and blues that survive from the wistful misérablisme of his earlier work, lending Les Demoiselles a peculiarly ironic air: whatever else these five women may be, they are not victims or clowns. 4 Pablo Picasso Les ...
Pagina 13
... structure is set forth, not as light, but as a property of matter — that plasma, the colour of guitar backs, zinc bars, and smokers' fingers, of which the Cubist world was composed. 13 Pablo Picasso The Factory, Horta de Ebro.
... structure is set forth, not as light, but as a property of matter — that plasma, the colour of guitar backs, zinc bars, and smokers' fingers, of which the Cubist world was composed. 13 Pablo Picasso The Factory, Horta de Ebro.
Pagina 19
... colours Huidobro's lines: the rosearbour, the beehive, the bird in the thicket of antennae. He wanted a pictorial speech that was entirely of this century, based on rapid interconnection, changing viewpoints, and an adoration of “good ...
... colours Huidobro's lines: the rosearbour, the beehive, the bird in the thicket of antennae. He wanted a pictorial speech that was entirely of this century, based on rapid interconnection, changing viewpoints, and an adoration of “good ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York