The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... glass and nearly invisible iron tracery. One may perhaps mock the prose in which some of the Victorians recorded their wonder at this cathedral of the machine age, but their emotion was real. The planners of the Paris World's Fair ...
... glass and nearly invisible iron tracery. One may perhaps mock the prose in which some of the Victorians recorded their wonder at this cathedral of the machine age, but their emotion was real. The planners of the Paris World's Fair ...
Pagina
... glass windows, slightly dilapidated, looking for all the world like the relic of an archangel. Such was the early apotheosis of the Machine. But the existence of a cult does not mean that images appropriate to it automatically follow ...
... glass windows, slightly dilapidated, looking for all the world like the relic of an archangel. Such was the early apotheosis of the Machine. But the existence of a cult does not mean that images appropriate to it automatically follow ...
Pagina
... glass, a guitar; some yellowed newsprint, black on dirty white when it was glued on two generations ago, now the colour of a bad cigar, irrevocably altering the tonal balance of the piece. Nevertheless, Cubism was the first radically ...
... glass, a guitar; some yellowed newsprint, black on dirty white when it was glued on two generations ago, now the colour of a bad cigar, irrevocably altering the tonal balance of the piece. Nevertheless, Cubism was the first radically ...
Pagina 19
... glass and iron city of small arcades, the marble city of café tables, the place of zinc bars, dominoes, dirty chessboards, and crumpled newspaper; the brown city of old paint and pipes and panelling; history to us now, but once the ...
... glass and iron city of small arcades, the marble city of café tables, the place of zinc bars, dominoes, dirty chessboards, and crumpled newspaper; the brown city of old paint and pipes and panelling; history to us now, but once the ...
Pagina 29
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Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York