The Shock of the New: The Hundred=Year History of Modern ArtKnopf Doubleday Publishing Group, 14 aug 2013 - 448 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. |
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Pagina
... (plate 2). No previous painter had taken his viewers through this process so frankly. In Titian or Rubens, it is the final form that matters, the triumphant. illusion. But. Cezanne. takes. you. backstage;. there. are. the. ropes. and pulleys ...
... (plate 2). No previous painter had taken his viewers through this process so frankly. In Titian or Rubens, it is the final form that matters, the triumphant. illusion. But. Cezanne. takes. you. backstage;. there. are. the. ropes. and pulleys ...
Pagina 7
... (plate 6), the narrative is quite clear: at the centre, a sailor carousing in a brothel, and on the left, another man, a medical student, whom Picasso represented in other studies with a selfportrait, entering with a skull, that very ...
... (plate 6), the narrative is quite clear: at the centre, a sailor carousing in a brothel, and on the left, another man, a medical student, whom Picasso represented in other studies with a selfportrait, entering with a skull, that very ...
Pagina 7
The Hundred=Year History of Modern Art Robert Hughes. Nu (plate 8), the brusque palm-frond hatching of Picasso's ... (plates 9, 10). Braque.
The Hundred=Year History of Modern Art Robert Hughes. Nu (plate 8), the brusque palm-frond hatching of Picasso's ... (plates 9, 10). Braque.
Pagina 10
... (plate 11). The face of the cliff blocked the perspective; the shapes of the castle ascended the hill already flattened, as it were, against the canvas. He then scrambled up the chalk bluff to the side and looked at the castle from an ...
... (plate 11). The face of the cliff blocked the perspective; the shapes of the castle ascended the hill already flattened, as it were, against the canvas. He then scrambled up the chalk bluff to the side and looked at the castle from an ...
Pagina 19
... (plate 20). With its geometrically simplified bodies and furniture, as deliberate as an Alexandrine, it is one of the supreme didactic paintings of French classicism, embodying an idea of society-as-machine, bringing harmony and an end ...
... (plate 20). With its geometrically simplified bodies and furniture, as deliberate as an Alexandrine, it is one of the supreme didactic paintings of French classicism, embodying an idea of society-as-machine, bringing harmony and an end ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus Berlin Brancusi Braque Breton Bruno Taut building Cézanne Cézanne’s Chirico collage Collection colour Corbusier Corbusier’s Cubism culture Dada Dali Duchamp eighties Ernst Expressionism Expressionist fantasies feeling figure flat flesh French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined influence Jackson Pollock Kandinsky Kooning landscape Le Corbusier Leo Castelli living look machine Marinetti Mark Rothko mass Matisse Matisse’s Max Ernst metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature objects Oil on canvas one’s Pablo Picasso painter painting Paris Paul Cézanne Picasso plate political Pollock Pop art Rauschenberg reality reflected Rothko Russian sculpture seemed seen sense Seurat seventies sixties social space street studio style surface Surrealism Surrealist symbol things thought Tower tradition twentieth century visual wall wanted Warhol watercolour Weimar wrote York