Nearly Too Much: The Poetry of J.H. PrynneLiverpool University Press, 1 jan 1995 - 196 pagina's Aiming to provide an analysis of J.H. Prynne's poetry for those to whom it is familiar, and also an introduction for the benefit of readers to whom it is new, this book examines Prynne's work in relation to traditions of romanticism and modernism, recent theory, debates about modernism and postmodernism, political questions of discourse and power, and the implications of lyrical uses of scientific and technical material. The impetus for these discussions is provided by detailed, exploratory readings of individual poems and sequences from the mid-1960s to the late 1980s. |
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alpha rhythm alternative appears Aristeas avant-garde Bakhtin becomes body Brass Charles Olson chora condition consciousness continuous culture Day and Night dialogic discourses disrupt dissolution Donald Davie edge effect emotional example exchange external fear fiat giddy Habermas heteroglossia Ibid idea identity J. H. Prynne Julia Kristeva Jürgen Habermas kind Kristeva language Lavatch's London Lyotard lyric marks material meaning metanarrative metaphor metonymic Modernist moral movement narrative object offer Olson Oval Window passage perhaps phrases poem's poetic possible postmodernism potential Prynne's poems Prynne's poetry puns question reader reading rejection relation relationship rhythm Rod Mengham Romantic Royal Fern rubbish scale screen seed seems semiotic sense separate sequence shifts skip sleep snow social space speaker stability stanza structure sugar soap suggests symbolic things Thomas Hardy tradition Trotter turn vocabulary White Stones word Wordsworth Wound Response