Italian Cinema and Modern European Literatures: 1945-2000Bloomsbury Academic, 30 mrt 2002 - 288 pagina's The history of cinema, and notably that of post-war Italian cinema, can only be understood adequately in the context of other contiguous cultural disciplines. World literature, including that of France, Germany, and Russia, played a key role in the development of post-war Italian film and the cinematic technique it has come to embody. Moving away from the usual modes of defining this period—a trajectory that begins with neorealism and ends with Bertolucci—author Carlo Testa offers proof that coming to terms with literary texts is an essential step toward understanding the motion pictures they influenced. |
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Italian Cinema and Modern European Literatures: 1945-2000 Carlo Testa Geen voorbeeld beschikbaar - 2002 |
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