Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 68
... able to resolve , I maintain that it is the only mode of expression which gives full satisfaction to both eye and ear by achieving rhythmic unity ( just as recogniz- able in an automatic drawing or text as in a melody or a bird's nest ) ...
... able to resolve , I maintain that it is the only mode of expression which gives full satisfaction to both eye and ear by achieving rhythmic unity ( just as recogniz- able in an automatic drawing or text as in a melody or a bird's nest ) ...
Pagina 101
... able to enter the field of a painting , and has been able to do this , moreover , without its entire surroundings crumbling immediately into dust , without the Picasso's studio , 1933 . Pablo Picasso : Composition . 1933 . astonishing ...
... able to enter the field of a painting , and has been able to do this , moreover , without its entire surroundings crumbling immediately into dust , without the Picasso's studio , 1933 . Pablo Picasso : Composition . 1933 . astonishing ...
Pagina 309
... able to have shown to me that same day , there was no doubt at all that they far surpassed the other paintings on display . They all carried the stamp of total authenticity , and were the only ones to convey the unmistakable impression ...
... able to have shown to me that same day , there was no doubt at all that they far surpassed the other paintings on display . They all carried the stamp of total authenticity , and were the only ones to convey the unmistakable impression ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy