Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 102
... Once again , the proof is there . Once again , the limits set to artistic expression have been broken through . A fine , magnetic blood spends itself generously from rim to rim of the entrancing white vat hardly larger than a hand ...
... Once again , the proof is there . Once again , the limits set to artistic expression have been broken through . A fine , magnetic blood spends itself generously from rim to rim of the entrancing white vat hardly larger than a hand ...
Pagina 326
... once and for all these ridiculous palisades which prevent man from going the whole way , even if they consist of mile upon mile of gallery and museum walls . Then - and only then will anyone have the right to repeat on his own account ...
... once and for all these ridiculous palisades which prevent man from going the whole way , even if they consist of mile upon mile of gallery and museum walls . Then - and only then will anyone have the right to repeat on his own account ...
Pagina 360
... once , shares with naturalism the characteristic of attempting to achieve a position of subservience in relation to positivism : ' It is a question of painting humbly , stupidly , the plays of light which pass before the artist's eyes ...
... once , shares with naturalism the characteristic of attempting to achieve a position of subservience in relation to positivism : ' It is a question of painting humbly , stupidly , the plays of light which pass before the artist's eyes ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy