French)], manuscript on vellum, finely written in clear gothic characters, 179 ll., 15 lines to a page, Calendar in gold, red and blue, 16 exceedingly fine miniatures, old red velvet binding, in slip case, armorial bookplate of Philip Hardwick, French, 15th Century, 4to. (9in. by 6§in.), (531), Dec. 15, Sotheby Quaritch, £760 [A very fine example of French 15th century work, with exceptionally wide margins and in very good condition.] Horæ. Hours of the B.V.M., French manuscript of the early part of the XVth Century, written in gothic letters on vellum (9in. by 63in.), with 12 large miniatures within elaborate historiated borders, and 19 small miniatures, bound in red plush, with silver clasps, gold and painted edges, with the Hoe bookplate and his signature on flyleaf, [France, Sæc. xv.], (264),Dec. 8, Anderson Gallery $1,100 Hora. Hours of the B.V.M., manuscript written on vellum in lettres bâtardes, probably by a French scribe, as some of the Saints are peculairly identified with France (size 7in. by 4in.), with 14 large miniatures within architectural borders, 18 small miniatures, and illuminated borders and capitals to every page, bound in brown mor., g.e., by Lortic, [Sæc. xv.], (259), Dec. 8, Anderson Galleries $800 [The Calendar is written in Latin in black and red on 6 11., with illuminated lateral borders giving the occupation of the month above, and the sign of the zodiac below. The text is written in Latin in black, with red headings, on 109 ll., 25 lines to a full page, with illuminated lateral borders, scrolled and foliated. This is a very distinctive manuscript Book of Hours, in a remarkable state of preservation.] Hora. Hours of the B.V.M., Flemish manuscript of the early part of the 15th Century, written in large gothic characters on vellum (size 8in. by 6,in.), 153 ll., including 12 for the Calendar, with 19 lines to the full page, with 7 large and 26 small miniatures, illuminated borders, and numerous large and small initial letters in burnished gold and colours, bound in red levant mor., richly tooled in compartments of fillets, scrolls, arabesques and other small ornaments, doublures of green mor. entirely covered with gold tooled compartments, g.e., by Thouvenin, [Flanders, Sæc. xv.], (256), Dec. 8, Anderson Galleries $800 Horæ. Hours of the B.V.M., French manuscript on the 15th Century, written on vellum (size 7in. by 53in.), with 14 full-page miniatures in floriated borders, and a painting of the Handkerchief of St. Veronica on leather sewed on the last leaf of the Calendar, bound in old cf., with elaborate blind tooling, small brass ornaments on one side, clasps missing, [Sac. xv.], (260), Dec. 8, Anderson Galleries $825 Horæ. Hours of the B.V.M., French manuscript of the 15th Century, written on vellum (size 73in. by 4 in.), with ro large miniatures, 5 small minatures in borders, and 15 ports. of Saints, with illuminated borders and initials, arms of a Cardinal stamped on the first and last pages, bound in green mor., gt. tooled in Grolier style, g.e., by C. Lewis, [France, Sæc. xv.], (255), Dec. 8, Anderson Galleries $550 Horæ. Hours of the B.V.M., French manuscript on vellum, executed in the north of France in the second part of the 15th Century (size 4in. by 2 in.), with 18 large and 13 small miniatures, very beautifully done, and with numerous finely illuminated borders, bound in olive mor., gt. tooled on back and sides, gt. inside borders and edges, red mor. doublures ornamented in gold with angel heads, doves and scroll borders, and red mor. end-papers with gt. borders, [France, Sæc. xv.], (258), Dec. 8, Anderson Galleries $700 Hora. Hours of the B.V.M., French manuscript, written on vellum by a scribe of the 15th Century (size 6 in. by 4 in.) with 15 large and 16 smaller miniatures, all beautifully painted and richly illuminated, small hole in margin of 2 II., bound in old cf., tooled in gold, with orig. red velvet side panels, g.e., in a folding protective cover and a brown crushed levant mor. solander case, [France, Sæc. xv.], (254), Dec. 8, Anderson Galleries $480 Horæ. Hours of the B.V.M., French manuscript of the first half of the 15th Century, written in gothic letter on vellum (size 7in. by 5 in.), 180 ll., including 12 for the Calendar, with 12 beautifully painted and illuminated full-page miniatures by a French artist, bound in old red French mor., fly-leaves, by Rivière, [Sæc. xv.], (261), Dec. 8, Anderson Galleries $1,900 [The text begins with the Gospels, and is written in black and ruled in red, with illuminated capitals and textual directions. Each page has an outer border of burnished gold ivy-sprays with coloured floral decoration. The Calendar is written in French, in red and black, with borders as in the text.] Hora Beatæ Mariæ Virginis, illuminated manuscript on vellum [French, middle 15th Century], on 142 ll., in gothic characters, calendar in red, blue and gold, 15 finely executed large miniatures within borders, in the borders of 4 of which smaller miniatures are introduced, initials in gold and colours, and numerous borders, red mor. gt., g.e., French, 15th Century, sm. 4to. (82), Oct. 27, Sotheby Young, £120 Hora B.V.M. ad usum Rothomagensem cum Calendario [Rouen], manuscript on vellum (7in. by 5 in.), clearly written in bold gothic characters, long lines, 15 to a page, 134 II., Calendar in gold, red and blue, 14 large painted arched miniatures, all with full borders of flowers, fruit, etc. in gold and colours, on a vellum fly-leaf a prayer in French against the Plague in a 16th century hand and another to St. Roche, other prayers in French in the margin of 4 pp., fine condition, with very wide margins, old red mor., gt. border of flowers and sprays, gt. back, g.e., French, 15th Century, 4to. (457a), May 25, Sotheby Maggs, £350 [The miniatures are all beautifully painted and finished.] Horæ B.V.M. secundum usum Romanum, cum Calendario [Officia], Franco-Flemish illuminated manuscript on thin vellum, 206 11. (101 mm. by 80 mm.), written in open gothic letter, Calendar in red and black, many illuminated initials, 14 finely painted miniatures within rich borders of floreate ornaments, introducing natural flowers, fruits, etc., with opposite borders of similar design enclosing large illuminated initials, panelled blue levant mor. gt. (clasp removed), g.e., from the Huth Library, late 15th Century (375), Nov. 10, Sotheby Young, £220 [The Miniatures (a list of which is given in the Huth Sale Catalogue, Lot 3818) of this charming little manuscript are executed with great delicacy and skill.] Hora. Heures a lusage de Rome, printed on vellum, 96 11., printed in Latin, 31 lines to the full page, Almanac from 1497-1520, Pychore and de L'Aistre's device, with 14 fullpage woodcuts, 21 small woodcuts, and elaborate woodcut borders, lettres bâtardes, bound in old red French mor., [colophon] Ces presentes heures a lusage de Rome ont este imprimees et acheuuees A paris le ciquiesme iour dapuril. La mil. cinq cès & trois. Par Jeha pychore: & Remy de laistre demourāt au corissat en la grät rue des carmes dess la place maubert [1503], sm. folio (335), Dec. 8, Anderson Galleries $925 [See also Lot 336, ed. 1507, $800.] Hore Beate Marie Virginis Secundum Usum Romanum, on vellum, gothic letter, 140 ll., 21 lines to the page, with 20 full-page woodcut miniatures, including a skeleton figure which replaces the usual Anatomical Man, and numerous small woodcut miniatures in the text, illuminated by hand in colours heightened with gold, in excellent condition throughout except for a few slight time stains [not in Brunet], full 17th cent. French binding of red mor., g.e., in the manner of and probably by Le Gascon, [Paris], Simon Vostre [1508], (107), May 8, American Art Association $135 [See also Sotheby, April 6, £45-] Hora B.V.M. ad usum Romanum cum Calendario. ¶ Hore beatissime Virginis marie secundū vsum Romanū totaliter ad longum plerisq; nouis imaginib9 huic nouissime recognitioni passim insertis adornate, printed on vellum in lettres bâtardes in black and red, within woodcut borders of biblical subjects, the Dance of Death, arabesques, grotesques, etc., the woodcut title painted in gold and colours and emblazoned with the arms of Gourdon de [This book of Hours is the last and the most decorative issued by Kerver. He died Nov. 24, 1522, within three months of its publication. This copy is in magnificent condition, and except for the finely emblazoned title the cuts and borders are quite untouched by colour. The large cuts have quatrains in French explanatory of the subject. A very fine specimen. From the Clinchamp, Solar, Odiot, and Potier collections.] Hora B.V.M. ad Usum Romanum, cum Calendario, lit. goth., printed on vellum, within borders, device on first leaf, capitals and initials in gold and colour, Almanach for 1526-1537, "de la bibliotheque de M'dame du Valdome L. Chaventon" inscribed on first leaf, old red mor., g.e., Impressis parisiis p. Germano Hardouyn [1526], (158), Mar. 25, Puttick Davis & Orioli, £25 [See also Lot 162, ed. 1528-45, £5 5s.] Hora. Laudes Beatæ Mariæ Virginis, marginal decorations, printed in black and red, with alternate initials in blue, boards, canvas back, uncut, Kelmscott Press, 1896, folio (515), Mar. 26, Hodgson Holt, £5 [See also Anderson Galleries, Oct. 6, $23.] Horatius Flaccus (Quintus). De Arte poetica Iacobi Grifoli interpretatione explicatus, title from a smaller copy slightly cut into, old red mor. gt., with the arms of Louis Henri, Comte de Lomenie Brienne on sides, g.e., sold as a binding, Florentiæ, 1550 [altered with a pen to 1554], sm. 4to. (688), Dec. 8, Sotheby Thorp, £4 [See also Mar. 23, ed. 1680 (Englished by the Earl of Roscommon, I IOS.] Horatius Flaccus (Q.) Poemata, brown cf., I panel repeated, 3 bands, fine impressions of the panel, the fore-edge of the binding defective for about 2 inches, otherwise in good condition, in a padded case, Florence, Haeredes Philippi Juntae, 1519, 8vo. (93), Mar. 16, Sotheby Goldschmidt, £10 IOS. [See also Feb. 2, ed. 1540, £2 5s.; Dec. 8, ed. 1676, £19.] Horatiis com quattuor commentariis, roman type, text surrounded by 63 long lines of commentary to each page [not in Hain; Winship gives no printer's name], full brown mor., with gt. and blind panels on sides, gt. and blind tooled back, raised bands, inner gt. dentelle borders, g.e., [colophon] . Venetiis Impressa: Anno salutis. $45 M.ccccxcvi. die. XIII. Julii [Venice, 1498], folio (261), April 14, American Art Association Horatius (Quintus Flaccus). Certain Selected Odes of Horace, Englished, and their Arguments annexed. With Poems (Antient and Modern) of divers subiects, Translated. Whereunto are added, both in Latin and English, sundry new Epigrammes, Anagramms, Epitaphes [by John Ashmore], first English translation of these selected Ödes, unbnd., London, printed by H. L. for Richard Moore, and are to be solde at his Shop in Saint Dunstans Church-yard, in Fleet-street, 1621, sm. 4to. (314), Mar. 23, Sotheby Rosenbach, £55 [Collation: B-O 4, the first leaf containing only the sig. letter between two ornamental rules; F3 is a separate title to the Epigrams.] Horatius. The Lyrick Poet, Odes and Satyres translated out of Horace into English Verse, by J.[ohn S.[mith], engraved title, small hole in title, small stains and minute wormholes in a few margins, orig. sheepskin, Printed by Henry Hils, living over against S. Thomas's Hospital in Southwark, 1649, 8vo. (315), Mar. 23, Sotheby Rosenbach, £40 Horatius. The Odes and Epodes of Horace, Latin text edited by Clement L. Smith, versions. and notes by Eminent Scholars, etc.-[also] A Thousand Horatian Quotations, ports. and plates in 2 states, vignettes, facs. of early titlepages, etc., 10 vol., full crushed brown mor., green moiré silk flies, g.t., uncut, Boston, Bibliophile Society, 1901, sm. 4to. (355), Feb. 24, American Art Association $135 [One of only 467 copies printed for members of the Bibliophile Society. See also May 8, $105.] Horatius. Opera, cum comment. Landini, roman letter, 206 ll., text surrounded by commentary, rubricator's work in red and blue, panelled russ. gt. (worn), [Proctor *4502; not in Hain, Copinger or Reichling], Venice, J. & G. de Gregoriis, 1483, folio (673), June 29, Sotheby Maggs, £16 [See also Anderson Galleries, Oct. 6, ed. 1490, $90; Sotheby, May 4, ed. 1501, £22; Dec. 18, £5.] Horatius. Opera, olive mor., line tooling round sides, arms of Count Hoym in centre, gt. back, g.e., Lugduni, Seb. Gryphius, 1546, 8vo. (121), Mar. 17, Sotheby Maggs £12 [See also Anderson Galleries, Oct. 6, ed. 1642, $52.50; Christie, June 15, ed. 1733, £9 10s.; Sotheby, Feb. 2, £13; Dec. 8, ed. 1770, £3 5s.; Hodgson, Nov. 26, 16; Anderson Galleries, Nov. 10, ed. 1788, $525; Sotheby, July 20, ed. 1799, £5 5s.] Horatius. Quinti Horati Flacci Carmina Alcaica, initial letters in blue and red, printed on pure vellum (only 25 copies so printed), crushed mor. ex., Ashendene Press, 1903 (527), Mar. 26, Hodgson Hollings, II IIS. [See also Lot 528, £2 5s.] Horatius. A Medicinable Morall, that is, the two Bookes of |