Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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... KANDINSKY ( 1938 ) THE EXQUISITE CORPSE , ITS EXALTATION ( 1948 ) AUTODIDACTS CALLED ' NAÏVES ' ( 1942 ) DEMONCHY ( 1949 ) MIGUEL G. VIVANCOS ( 1950 ) JOSEPH CRÉPIN ( 1954 ) HECTOR HYPPOLITE ( 1947 ) THE ART OF THE INSANE : FREEDOM TO ...
... KANDINSKY ( 1938 ) THE EXQUISITE CORPSE , ITS EXALTATION ( 1948 ) AUTODIDACTS CALLED ' NAÏVES ' ( 1942 ) DEMONCHY ( 1949 ) MIGUEL G. VIVANCOS ( 1950 ) JOSEPH CRÉPIN ( 1954 ) HECTOR HYPPOLITE ( 1947 ) THE ART OF THE INSANE : FREEDOM TO ...
Pagina 251
... Kandinsky , whose works conceal or reveal a brilliant interior which Duchamp surrounds by a whole network of implications and which , in Kandinsky's case , demands the greatest possible margin of transposition . If it is no longer a ...
... Kandinsky , whose works conceal or reveal a brilliant interior which Duchamp surrounds by a whole network of implications and which , in Kandinsky's case , demands the greatest possible margin of transposition . If it is no longer a ...
Pagina 325
... Kandinsky has made paramount : the principle of inner necessity.1 - In this domain , whose outer appearances are largely unveri- fiable , it would be a bold man who could undertake to distinguish between those in quest of a new and ...
... Kandinsky has made paramount : the principle of inner necessity.1 - In this domain , whose outer appearances are largely unveri- fiable , it would be a bold man who could undertake to distinguish between those in quest of a new and ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy