Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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... allow this new presentation of Le Surréalisme et la peinture to be considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their ...
... allow this new presentation of Le Surréalisme et la peinture to be considered not so much a re - issue as an original event . There has been no lack of ' historical ' studies of surrealist painting during these last few years . Their ...
Pagina 122
... allow us to forget the great and primitive disquiet from which they have emerged . In fact , it is essentially desire and fear that preside over the game they are playing out in our presence , in that extremely disquieting visual arena ...
... allow us to forget the great and primitive disquiet from which they have emerged . In fact , it is essentially desire and fear that preside over the game they are playing out in our presence , in that extremely disquieting visual arena ...
Pagina 275
... allow us to get a proper perspective of the parallel development , during the nineteenth century , of scienti- fic ideas on the one hand and poetic and artistic ideas on the other . There are two extremely important dates in terms of ...
... allow us to get a proper perspective of the parallel development , during the nineteenth century , of scienti- fic ideas on the one hand and poetic and artistic ideas on the other . There are two extremely important dates in terms of ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy