Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 72
... appearances between 1927 and 1929 , and the molten flow within which they achieved their final form between 1930 and 1931 ... appearance as it traversed the two great crises of cubism and futurism ( Archi- penko , Lipchitz , Laurens ...
... appearances between 1927 and 1929 , and the molten flow within which they achieved their final form between 1930 and 1931 ... appearance as it traversed the two great crises of cubism and futurism ( Archi- penko , Lipchitz , Laurens ...
Pagina 99
André Breton. the second appearance that voluntary - imaginative one of the Bride . On the coupling of these 2 appearances of pure virginity - on their collision , depends the whole blossoming , the upper part and crown of the picture ...
André Breton. the second appearance that voluntary - imaginative one of the Bride . On the coupling of these 2 appearances of pure virginity - on their collision , depends the whole blossoming , the upper part and crown of the picture ...
Pagina 122
... appearance . We are concerned each second to know whether the sexual instinct or the death instinct will triumph . Brauner's remarkably free art grants us almost unexampled facilities to witness this strange conflict . If for no other ...
... appearance . We are concerned each second to know whether the sexual instinct or the death instinct will triumph . Brauner's remarkably free art grants us almost unexampled facilities to witness this strange conflict . If for no other ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy