Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 103
... colour . It is very evident that Picasso has no preconceived notions about colour , and even if the view of a corner of his studio did not provide objective evidence of this , one has only to recall the remark he once made to E. Tériade ...
... colour . It is very evident that Picasso has no preconceived notions about colour , and even if the view of a corner of his studio did not provide objective evidence of this , one has only to recall the remark he once made to E. Tériade ...
Pagina 104
... colour , which is the individualizing and concretizing principle , the union of light and darkness obtained through the medium of transparency . Colour , considered in general , that is to say apart from its scale of differentiation ...
... colour , which is the individualizing and concretizing principle , the union of light and darkness obtained through the medium of transparency . Colour , considered in general , that is to say apart from its scale of differentiation ...
Pagina 146
... colour such as blowing on it at different points : he has thus set free beings that glow with a humming - bird's fire and possess a texture as skilfully woven as its nest . Esteban Frances , after applying colours at random to a wood ...
... colour such as blowing on it at different points : he has thus set free beings that glow with a humming - bird's fire and possess a texture as skilfully woven as its nest . Esteban Frances , after applying colours at random to a wood ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy