Surrealism and PaintingHarper & Row, 1972 - 415 pagina's |
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Pagina 130
... complete retention of clarity and order of thought , will and action ' . We also know , thanks to Bleuler , that paranoiac delirium originates in a chronic affective state ( based on a complex ) that lends itself to the coherent ...
... complete retention of clarity and order of thought , will and action ' . We also know , thanks to Bleuler , that paranoiac delirium originates in a chronic affective state ( based on a complex ) that lends itself to the coherent ...
Pagina 251
... complete uselessness . To claim that the comparative study of these fabrics may present some histological interest is , of course , sheer imposture , for the excellent reason that the executant let us not say artist has lost contact ...
... complete uselessness . To claim that the comparative study of these fabrics may present some histological interest is , of course , sheer imposture , for the excellent reason that the executant let us not say artist has lost contact ...
Pagina 279
... complete it may seem , reverts to an infinite series of latent possibilities which are not peculiar to it and therefore entail its transformation . The object's conventional value then becomes entirely subordinate , in the eye of the ...
... complete it may seem , reverts to an infinite series of latent possibilities which are not peculiar to it and therefore entail its transformation . The object's conventional value then becomes entirely subordinate , in the eye of the ...
Inhoudsopgave
SURREALISM AND PAINTING | 1 |
ARTISTIC GENESIS AND PERSPECTIVE | 49 |
White rose bunch 1934 | 121 |
Copyright | |
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absolutely achieved André Breton André Masson animal Apollinaire appearance artistic aspect Bachelors beautiful become bird Bride Stripped century Chirico colour considered Crépin Daumesnil drawing dream elements Enrico Baj entirely everything exhibition existence expression Exquisite Corpse external eyes fact feel figures Formerly coll France Francis Picabia Galerie Gaulish coins glass Gustave Moreau hand Henri Rousseau human idea imagination increasingly inspiration Jacques Hérold Joan Miró Kandinsky landscape Lautréamont less light magical Marcel Duchamp Matta Max Ernst Max Walter Svanberg means mental mind mysterious nature never night objects Pablo Picasso painters painting Paris particular perfectly Photo Ségalat picture Pierre plastic possible present pure remains René Magritte revealed Rimbaud Salvador Dali sculpture secret sense shadow simply surface surrealism surrealist symbolic things thought tion Toyen Victor Brauner vision visual whole Wifredo Lam Wolfgang Paalen woman words York Yves Tanguy